1993年出生于陕西省宝鸡市。
2017年毕业于中国美术学院公共空间艺术系,艺术工程与科技专业,获学士学位。
2020年毕业于中国美术学院公共空间艺术系,艺术工程与科技方向,获硕士学位。
现任教于西安美术学院公共艺术系。
作品先后入选法国圣埃蒂安双年展;先后前往克罗地亚萨格勒布美院、法国莱茵美院交流学习;赴日本,策划“东京急行”、“不怎么Nice”等艺术项目;参与执行乌镇戏剧节、南京光影万象等大型综合性公共艺术活动及展览策划。创作受到Nike、FMACM®、可口可乐中国、RANDOMEVENT®、YOHO中国、Teva®、OPPO等品牌合作。
参展经历
「ME,YOU,NOUS」,法国圣埃蒂安双年展,圣埃蒂安,法国
「Dvorak u Jakovlje—povijest gradnje buduca obnova」,Jakovlje城堡,萨格勒布,克罗地亚
「仿生学工作坊联展」,French pavilion in zagreb,萨格勒布,克罗地亚
「东方力量」,F/FFFFFFIndustria,纽约,美国
「苍蝇馆子」,大田秀则画廊,上海,中国
「景观社会」,FMACM上海时装周,上海,中国
「“下层建筑”跨媒实验场」,和创园泊空间,杭州,中国
「后印象西湖」,MartinggoyabusinessTHEfART,杭州,中国
「毛坯·赛博」,象山艺术公社,杭州,中国
「未知向量青年雕塑家联展」,中国美术学院,杭州,中国
「第七届乌镇戏剧节」,乌镇,中国
「“勇立潮头”浙江省青年美展」,浙江省美术馆,杭州,中国
「运气艺术节」,Urban Oasis Art Space,杭州,中国
「马丁·戈雅超新星展」,马丁·戈雅·生意,杭州,中国
「第六届乌镇戏剧节」,乌镇,中国
获奖
收藏清华大学艺术博物馆,北京,中国
入围奖曾竹韶雕塑奖学金,大同,中国
优秀作品奖浙江省青年艺术家美术展,杭州,中国
入围奖余杭大剧院雕塑大赛,余杭,中国
银奖林风眠创作奖学金,杭州,中国
2015-2016学年一等奖学金,中国美院,杭州
2015-2016学年浙江省政府奖学金,杭州,中国
2014-2015学年二等奖学金,中国美院,杭州
金牌 14届浙江省大运会,温州市,中国
全国特等奖全国全民健身操舞大赛,杭州,中国
一等奖全国全民健身操舞大赛浙江站,杭州,中国
演武优秀选手小林杯大学生剑道邀请赛,杭州,中国
敢斗奖小林杯大学生剑道邀请赛,杭州,中国
敢斗奖第八届ckou全国剑道大赛,杭州,中国
作品名称:MARS兄弟代驾系列1
作品材质:综合材料
作品尺寸:170x100x90cm
指导老师:杨奇瑞(教授)、郑靖(副教授)
创作时间:2019年2月
作品阐述:mars兄弟是一款展演类装置,mars兄弟可以高速移动,转向与漂移。头部为90年代的跑车翻灯概念描述人类登陆火星,退化为人力与机器并存的社会,mars和mars的兄弟职业是代驾,这辆车是mars和mars的兄弟在幸苦工作的状态。
公共艺术要结合两种能量:一为艺术,它是作品的上游精神,可以跨越任何界限;另一个则是作为不相识的个体集会与交流的移动空间
伊东丰雄曾说,今日,我们每人都有两个身体一个是人类拥有的原始身体定格,这是接着媒体传播建立的虚拟身体。
当我们看到TOP30作品时,第一个会有的反应,可能是觉得好笑,因为他在这个环境下的确有些荒谬,然而相对的,难道我们不会自问为何他会出现在这里,然后随着这个简单问题的推进,我们将会触及更根本的问题。
那就是鼓舞集体的精神透过公共便利的渠道来收集这些文化的标志,唤醒人们的好奇心,帮助他们发现这个城市。
作者特殊的幽默感可以从mars系列作品中看出来,不管是利用常见的社会形态,或是将它们改造为一种荒谬的诗意或评论情景,没头没脑但是非常有趣。可能是因为它的移动性,也可能是因为它们的构架方式。
Title: Mars brothers Driving Series 1
Material: comprehensive materials
Size: 170x100x90cm
Instructor: Yang Qirui (Professor), Zheng Jing (Associate Professor)
Creation time: February 2019
Description: Mars brothers is a kind of performance equipment, Mars brothers can move, turn and drift at high speed. The head of the car is the concept of turning over the lights of a sports car in the 1990s, which describes the human landing on Mars and degenerates into a society where human and machine coexist. The brother occupation of Mars and Mars is driving on behalf of others. This car is the state of hard work of Mars and Mars brothers.
It can be combined with the public art as a kind of spiritual exchange
Toyo Ito once said that today, each of us has two bodies. One is the original human body freeze frame, which is the virtual body established by media communication. 
When we see the top 30 works, the first reaction may be funny, because he is indeed ridiculous in this environment. However, relatively speaking, can't we ask ourselves why he is here, and then with the progress of this simple question, we will touch upon more fundamental problems. A kind of
That is to inspire the spirit of the collective, to collect these cultural symbols through public and convenient channels, to arouse people's curiosity and help them discover the city.
The author's special sense of humor can be seen from the Mars series of works, whether it is using common social forms or transforming them into an absurd poetic or critical situation. It is mindless but very interesting. It may be because of its mobility, or because of the way they are structured.
作品名称:MARS兄弟代驾系列2
作品材质:综合材料
作品尺寸:200x180x90cm
指导老师:杨奇瑞(教授)、郑靖(副教授)
创作时间:2019年3月
作品阐述:
Mars和Mars兄弟代驾,是一个演绎类“社会形”公共艺术展演装置,再加工了波伊斯所发展出来的社会雕塑(Sozialen Skulptur)概念,偷换了“社会”概念,更偏向于当下亚文化的表现手法-例如精神小伙儿”“社会人儿”等表现欲望强烈的社会底层人士。装置使用大扭力电控发动机以及人力蹬车,让它在水中高速行进。而角色被红色绳子捆绑驾驭控制方向,以自由泳的姿态在水中表演滑稽戏谑的游泳。
描绘了Mars兄弟幸苦工作的状态。记录了资本主义代驾,操控与被操控的概念形式。这个想法幽默诙谐略显辛酸,将平凡的“社会形态”变成一个有趣的视觉游戏。
驾驶者可以用双脚驱动Mars兄弟的双臂,以360度自由泳的形态在水中自由泳,双腿添加了电机保持慢速的前后摇摆,在船体下设置了1500w大扭力电动机,可以以15km/h在水中高速移动
Product Name: Mars brothers driving series
Material: comprehensive materials
Size: 200x180x90cm
Instructor: Yang Qirui (Professor), Zheng Jing (Associate Professor)
Creation time: March 2019 to may 2020
Description of the work:
Mars and Mars brothers are acting as a public art exhibition device of deductive "social form", which reprocesses the concept of sozialen Skulptur developed by Boyce, stealthily changes the concept of "society", and is more inclined to the expression techniques of contemporary subculture, such as spiritual guys, social people and other people at the bottom of the society with strong desire. The device uses high torque electric control engine and manual pedaling to make it travel at high speed in water. The character is bound by a red rope to control the direction and perform a funny swim in the water in a freestyle posture.
It depicts the status of Mars brothers' hard work. This paper records the concept and form of capitalist agent driving, manipulation and being manipulated. This idea is humorous and slightly bitter, turning the ordinary "social form" into an interesting visual game.
The driver can drive the arms of Mars brothers with both feet to swim in the water in the form of 360 degree freestyle. The motor is added to the legs to keep the slow forward and backward swing. A 1500W high torque motor is set under the hull, which can move at a high speed in the water at 15km / h
作品名称:MARS兄弟代驾系列
作品材质:综合材料
作品尺寸:200x150x250cm
指导老师:杨奇瑞(教授)、郑靖(副教授)
创作时间:2019年3月至2020年5月
作品阐释:
Mars兄弟代驾系列是我2019-2020年创作主线之一,融合了公共艺术-移动舞台展演形式,将作品放置在城市公共空间中,进行游走式展演,为城市公共空间呈现个人特有公共艺术理念与的概念方式。
Mars兄弟职业是代驾司机,指向概念来源于黄帝蚩尤时期指向装置--指南车,
Mars兄弟上方的手指始终指向目标点,下层的人不听从手指的指示,无方向的乱走。
加上博伊斯所发展出来的社会雕塑概念,偷换了“社会”概念,使用亚文化表现手法,例如“精神小伙儿”“社会人儿”等表现欲望强烈人士,进行架构。角色被人抓住头发驾驭控制方向,以跪拜的表演滑稽戏谑的表现。描绘了mars兄弟辛苦工作的状态。记录了代驾,操控与被操控的概念形式。这个想法幽默诙谐夹带辛酸,将平凡的“社会形态”变成一个似乎无趣的视觉游戏。
命令,冲突,对抗,反叛,是涂鸦艺术发展史的关键词,最终涂鸦艺术成功了,mars兄弟是涂鸦艺术概念的复制品,它是是否会成功?是此作品的实践之路。亦是我生活的精神体现缩影。
Product Name: Mars brothers driving series
Material: comprehensive materials
Size: 200x150x250cm
Instructor: Yang Qirui (Professor), Zheng Jing (Associate Professor)
Creation time: March 2019 to may 2020
Interpretation of the work:
Mars brothers driving series is one of the main lines of my creation from 2019 to 2020. It integrates the public art mobile stage exhibition form, and places the works in the urban public space for a walking performance, presenting the unique public art concept and concept mode for the urban public space.
Mars brothers are drivers on behalf of drivers. The concept of pointing originated from the guiding car, the pointing device of the Yellow Emperor Chiyou period,
The fingers on the top of the Mars brothers always point to the target point, while the people at the lower level don't follow the instructions of their fingers and walk aimlessly.
In addition, the concept of social sculpture developed by Boyce has changed the concept of "society" by using subculture expression techniques, such as "spiritual boy" and "social man" to express people with strong desire. The characters are held by their hair to control the direction and kneel down to perform a funny and joking performance. It depicts the hard work of the Mars brothers. It records the concept form of Valet driving, handling and being controlled. The idea is humorous and poignant, turning the ordinary "social form" into a seemingly boring visual game.
Command, conflict, confrontation and rebellion are the key words in the development history of graffiti art. Finally, graffiti art is successful. Mars brothers are copies of the concept of graffiti art. Will it succeed? It is the practical road of this work. It is also the epitome of my life spirit.
《阿强的时间花糖夹了尘》
装置艺术
材质:亚克力
尺寸:65cm×30cm×65cm
作品阐述:以照片是时间的定格,这幅作品是由半世纪前的一张钟楼照片,和50年后我拍的钟楼,做对比,夹杂着灰尘合成在一起的一副架上作品。左边是半世纪前的钟楼,一动不动矗立在这,右边是而50年后钟楼,依然矗立,但是周遭的景色早已高楼拔地而起,变了天。我用印刷将这些时间切片与灰尘强行固定在一起,好像松开它们画面就会像时间一样流逝,消逝不见。
《A Qiang's time spent in sugar dust》
Installation art
Material: acrylic
Size: 65cm×30cm×65cm
Work description: with photos as the frame of time, this work is composed of a picture of a clock tower half a century ago and a clock tower I took 50 years later. It is a frame work mixed with dust. On the left is the clock tower half a century ago, standing still here. On the right is the clock tower, which still stands 50 years later, but the surrounding scenery has long since risen and changed. I used printing to fix these time slices with dust by force, as if releasing them, and the picture would pass away like time.